Every story has already been told. Once you've read Anna Karenina, Bleak House, The Sound and the Fury, To Kill a Mockingbird and A Wrinkle in Time, you understand that there is really no reason to ever write another novel. Except that each writer brings to the table, if she will let herself, something that no one else in the history of time has ever had."[Commencement Speech; Mount Holyoke College, May 23, 1999]

The beginning and the end are never really the journey of discovery for me. It is the middle that remains a puzzle until well into the writing. That's how life is most of the time, isn't it? You know where you are and where you hope to wind up. It's the getting there that's challenging.

I've discovered that sometimes writing badly can eventually lead to something better. Not writing at all leads to nothing.

Not writing at all leads to nothing.

At the same time that you've got to open yourself up to the fact that experience is going to teach you year after year, decade after decade. I remember I very badly wanted to write a newspaper column when I was only 21 years old, and I went to my editor and told him that, and he said, "You're a really good writer, but you haven't lived long enough to be qualified to live out loud."

I will never understand people who think that the way to show their righteous opposition to sexual freedom is to write letters full of filthy words.

I don't have to listen to the Gospel on Sunday to know the stories of the New Testament. They inform so much of what I write that they're practically like a news scrim that goes through my brain 24/7.

Reporters are not paid to operate in retrospect. Because when news begins to solidify into current events and finally harden intohistory, it is the stories we didn't write, the questions we didn't ask that prove far, far more damaging than the ones we did.

When I write a novel, I have what I think of as an icon that helps get me into the world of the book.