The business of hip hop is probably the most tangible example of the genre’s dramatic maturation.

For so-called conscious rappers, it is an opportunity to rap about ways to educate others about African American history, politics and even relationships: all of which would be missed if society merely focused on the “hook” and ignored the influence.

No one can identify the uninformed until they voice their ignorance about a topic. Silence is a fool’s best friend. Sadly, he is often too foolish to realize it.

Whether or not you agreed with the group’s incendiary style, one thing most people will agree on: N.W.A had a deep, trans-formative and lasting effect on hip hop ideology.

The misconception is that the genre is a breeding ground for negativity; that it is the birthplace of violence and misogynistic attitudes, and the genesis of every kind of unfavorable stereotype imaginable. When, in fact, if looked at through the lens of neutrality and open-mindedness, the virtues of hip hop far outweigh the negative stigma attached to it.

According to a study conducted by the Oxford African American Studies Center, hip hop is part of and speaks to a long line of black American and African traditions. Many observers also make a connection between rap and West African griot tradition, the art of wandering storytellers known for their knowledge of local settings and their superior vocal skills.