In putting off what one has to do, one runs the risk of never being able to do it.

The son will run away from the family not at eighteen but at twelve, emancipated by his gluttonous precocity; he will fly not to seek heroic adventures, not to deliver a beautiful prisoner from a tower, not to immortalize a garret with sublime thoughts, but to found a business, to enrich himself and to compete with his infamous papa.

To dream magnificently is not a gift given to all men, and even for those who possess it, it runs a strong risk of being progressively diminished by the ever-growing dissipation of modern life and by the restlessness engendered by material progress. The ability to dream is a divine and mysterious ability; because it is through dreams that man communicates with the shadowy world which surrounds him. But this power needs solitude to develop freely; the more one concentrates, the more one is likely to dream fully, deeply.

The idea of beauty which man creates for himself imprints itself on his whole attire, crumples or stiffens his dress, rounds off or squares his gesture, and in the long run even ends by subtly penetrating the very features of his face. Man ends by looking like his ideal self. These engravings can be translated either into beauty or ugliness; in one direction, they become caricatures, in the other, antique statues.