Write to your fear.

Why write stories? To join the conversation.

I did not begin with craft, I began with strong feelings and worked toward craft.

Before I published any of my own stories, I read a great many stories by people as passionate about writing as I was, and I learned something from everyone I read -- something most important what I should not try to write.

I did not imagine anyone reading my rambling, ranting stories. I was writing for myself, trying to shape my life outside my terrors and helplessness, to make it visible and real in a tangible way, in the way other people's seemed real -- the lives I had read about in books.

There is a difference between fiction and nonfiction deeper than technique or intention. I value both but genuinely believe that fiction can tell a larger truth.

I want the society in which I live to be clear about the reality of our families; to know all the ways in which we avoid the issues of violence, abuse, and societal contempt; and to see survivors as more than victims. If we know more about what it means to survive abuse, we will be better able to help those still caught in the whole shameful secret world of physical and sexual violence.

It was not only that false biographies tended to overshadow true ones, they obscured a hard fact that all fiction writers know—which is simply that real life is far less believable than fiction. That is in fact part of the power of nonfiction narratives. To take details from “real life” into fiction and make them believable requires careful work: creating characters the reader can believe would do the unbelievable and setting up a scene where those events make some kind of sense.

Asking “what if” and answering that question is the bedrock of what the novel can achieve. The story becomes something more than one person's perspective—it reaches as far as the novelist can imagine.