I think I'm drawn to characters with complexity or who are under duress in some way and have some conflict going on.

I think it is nice for people to appreciate a slow-burning, beautiful story that makes you feel good when it is over.

I think a shot can actually influence a scene in a huge way. For example, comedy is always better in a two-shot. What's between the characters is what's funny. So you learn about these things as you go along.

It's nerve-wracking singing in front of people. I think that's why most people get drunk for karaoke.

To not make any resolutions. Whenever I make them, I wind up ultimately breaking them. I think a lot of people are that way, so I am going to try and avoid inevitable disappointment next year and just not make any.

I'm a big supporter of Joe Johnston and I think that 'Captain America' is going to be really fun and I gather that the story is really interesting. It just wasn't what I wanted to do next, to be honest.

I always think that the most interesting characters are those that are trying to cover something or those that have some sense of bravado or composure.

It's sort of a meat market, the whole awards thing, and I don't think you can predict it anymore - who's going to like what you've done, if it's worthy or not. And hopefully, that's not why you make a film, because if you're distracted by that, or only striving for that, you don't do it justice.

It's always better just to do work that you're really proud of and work that you enjoy because really all you have are the choices you make and that's it and who knows after that. I think that's what I love in acting.