I don't like to wonder about it-I just like to do it. That's what I mean about the image stuff and all that. There's far too much emphasis being placed on that kind of stuff...the whole emphasis on what does it mean? Everybody has their own particular vision.

My bag is approaching something and taking it to another place. Like words-you take a word and by the time you've finished with it, you milk it and you go through the emotion of what it is, what it means there and then.

I don't like to condemn people because what that means is that you're only condemning yourself about a part of you that you can't stand.

I never paid attention to what was contemporary or what was commercial, it didn't mean anything to me.

I'd much prefer to hear somebody like Ed Thigpen [drummer with New York session group Stuff, and featured on innumerable hits] take a solo. I mean, that's what it is. I'd much rather hear that than the jazz/rock thing because it's blowing an aspect of jazz that I really like...the level where you can snap your fingers to it and you can groove to it. You can do anything to it.

We're [with Robbie Robertson ] jazz musicians. The context may be rock 'n' roll but it's still jazz. It's jazz and that means improvization...you play a tune the way it feels and you play it differently every time. It can never be the same.

There aren't any labels - all jazz means is improvization and you can never play a tune the same way twice. So jazz spills over into everything.