239 Quotes by Azar Nafisi

None of us can avoid being contaminated by the world’s evils; it’s all a matter of what attitude you take towards them.

At that time, she had worn the scarf as a testament to her faith. Her decision was a voluntary act. When the revolution forced the scarf on others, her action became meaningless.

Again she repeated that she would never get married, never ever. She said that for her a man always existed in books, that she would spend the rest of her life with Mr. Darcy – even in the books, there were few men for her.

One can believe James’s claim to an “imagination of disaster”; so many of his protagonists are unhappy in the end, and yet he gives them an aura of victory. It is because these characters depend on such high degree on their own sense of integrity that for them, victory has nothing to do with happiness. It has more to do with a settling within oneself, a movement inward that makes them whole.

Why is it that in novels with a message, the villains are so reduced that it is as if they come to us with a sign on their forehead saying: Beware, I am a monster? Doesn’t the Koran state that Satan is a seducer, a tempter with an insidious smile?

I have now become something of an expert in the ways of “decisive” men. They are not firm, they just seem to be. Because they have a formula for everything, which they forcibly impose, they seem confident. But they cannot face the unexpected. They can be far less capable in a crisis than the seemingly fragile women they bully and are secretly afraid of.

In class, we were discussing the concept of the villain in the novel. I had mentioned that Humbert was a villain because he lacked curiosity about other people and their lives, even about the person he loved most, Lolita. Humbert, like most dictators, was interested only in his own vision of other people. He had created the Lolita he desired, and would not budge from that image.

Art is no longer snobbish or cowardly. It teaches peasants to use tractors, gives lyrics to young soldiers, designs textiles for factory women’s dresses, writes burlesque for factory theatres, does a hundred other useful tasks. Art is as usueful as bread.

Don’t let strangers touch you.” And yet it is seldom strangers, I learned long before I was a teenager, who do you harm. It is always the ones closest to us: the suave chauffeur, the skilled photographer, the kind music teacher, the good friend’s sober and dignified husband, the pious man of God. They are the ones your parents trust, whom they don’t want to believe anything against.