47 Quotes by Bruce Beresford

There are some good writer/directors in the U.S. as well. In general the writing and directing tend to be separated but I bet that most of the directors have a big effect on the scripts. These days the studios tend to bring in hordes of writers.

When we were trying to get the money together for the film, one reason that was consistently given for not investing in it was that everyone kept saying no one could direct it well enough to entertain an audience for 100 minutes essentially watching three people chatting in the kitchen.

Perhaps the most difficult thing is shooting scenes set 6,000 feet up in the mountains of Mexico.

I thought, This is fabulous. It sent shivers up my spine. I thought, What kinds of people are these that would produce this kind of music in a camp? All the prison camp stories I've seen, and heard of, were about the heroism of men. As I researched this and heard the music, I realized that women were heroic too, on just as grand a scale. And their treatment was just as appalling.

So I said to the production company, 'what are we going to Canada for if we're not going to use local actors?' And they said to me - and this was something that I was unaware of - 'the accent is different.' And I said, being from Australia, 'what a load of nonsense.' But after I had been here for a few weeks I realized that this was indeed true, the accent is different.

My feeling is that while we are constructing a show you need not be a boxing fan to enjoy, it will reintroduce millions of people to boxing,

I think casting is important because if you get the right actors cast then you appear to be a much better director than you are because then it goes very smoothly. But if you make a mistake in the casting and you want a performance that is somewhat different to what they want to do, it's going to be very difficult.

I said we should really use an unknown in King David because any actor that you use for such a famous figure, you're going to get a laugh.

Well, I storyboard the films from every shot and from every angle. I specify to the cameraman where the camera should be and what lens he should use and then I work out all the moves for the actors. Of course this can change, but I would have to say that 95% of the time the film is done exactly the way I have storyboarded it.