49 Quotes by Bruno Heller
- Author Bruno Heller
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A lot of the challenge with TV, as opposed to making movies, is that you have to leave room for the characters in the story to tell themselves. Sometimes you don't know where a character is going to go and what's going to happen to them until you've seen the actor take that part and make it their own.
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- Author Bruno Heller
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One of the tricks that you have to learn, with episodic TV, is you don't know how many years you're going to be blessed with.
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- Author Bruno Heller
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he beauty of this world [of comics] is there are so many stories to tell, and there's so many wonderful characters. Wonderful characters we haven't even begun to introduce - it's a world that is infinitely expandable.
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- Author Bruno Heller
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You can't be someone you're not on TV. You can in movies, but not on TV because you can't hide.
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- Author Bruno Heller
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One of the challenges with series TV is not to give everyone all the punchlines, all the gags and all the fun stuff at the top. Everyone is so anxious, for very good reasons, to hit the ground running, but I've been on the other end of that.
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- Author Bruno Heller
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When you get to the fourth, fifth and sixth years of a show, it's really good to have held back, so that you have somewhere to go. That also applies to levels of violence, levels of humor, levels of production value.
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- Author Bruno Heller
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It's easy to leave people wanting more after the first episode, but it's hard to leave people wanting more after the 24th episode. And it's my job, more than anybody else's, to keep that in mind. One season, in TV terms, is nothing. You need to hit it for three or four seasons, and then you're doing well, in TV terms. Then, you've done your job.
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- Author Bruno Heller
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Italy is still very much the same place it was 2,000 years ago. Italians are still the same .. there's a sense of beauty and a sense of dignity and a sense of living life to the full that infects everyone.
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- Author Bruno Heller
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One of the things about working for an old school studio like Warner Bros. is that there is an institutional culture and institutional memory, in terms of production design, camera work, and directors who understand how to do this kind of thing.
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