102 Quotes by Catherine Hardwicke

Even after I had just done Twilight, which made $400 million at the worldwide box office, I could not get financing for three or four projects that I really loved and I thought people would love because they didn't fit some studio or investor's model of thinking, "This will definitely make money." It's a business and a film does potentially cost millions of dollars, and they have to think that they're going to get their money back somehow.

I thought, "If I can make you feel what it's like for that first super-passionate love, other people might like that too," and, of course, they did.

For Twilight, I wasn't thinking it was going to be a crazy success, or anything. It had been rejected by all the major studios. Nobody wanted to make it and they didn't think it would make any money, but I read the book and I thought, "Wow, I want to capture that feeling of just being crazy in love. I wonder if I can do that in a film." That was my challenge.

You can't really just think, "Oh, I want to make something that is going to appeal to every single person in the world." You have to just try to make a movie that comes from your heart.

People love to talk, so let them have fun talking, I think they have an interesting, wonderful connection, so you knowWhat does dating mean? I don't know. I couldn't say. People love to talk, so let them have fun talking.

I worked for 20 directors as a production designer, most male. I was on the set to witness firsthand a range of sometimes atrocious emotions - well-documented firings, yellings, fights between directors and actors, hookers, abusive things, budget overages, lack of preparation. A man gets a standing ovation for crying because he's so sensitive, but a woman is shamed.

There are some moments where you're so depressed, you cannot see the way, and you're like, 'Whatever. Bite me.' I think all directors feel that way sometimes.

The fact that men and women are nominated this year in films that women have directed is good for women filmmakers generally,

My first movie, 'Thirteen,' and it was very real - almost too real. It was very gritty, with raw human emotion. I'd love to do something like that again.