896 Quotes by Catherynne M. Valente

But the trouble is, I do want to be surprised. I want to choose. I broke the heart of my fate so that I could choose. I never chose; I only saw a little girl who looked like me standing on a gear at the end of the world and laughing, and that's not choosing, not really. Wouldn't you rather I chose you? Wouldn't you rather I picked our future out of all the others anyone could have?

They hadn't the first thing to do with inventing wormholes; it was the same pure imbecilic drooling luck that so many of the bloody things opened up just outside Aluno Prime's gravitational sphere of influence that dealt Europe a royal flush of luxury high-speed horses, butter-dispensing cows, jumper-shedding sheep, bacon-distributing pigs, and nonunionized donkeys, and Australia a full hand of fuck all.

Don’t you ever feel like you’re just a story someone is telling about someone like you?

You’re in a story and the body writing it is an asshole. You had to know that, given the action. The story you’re in tells you like firing a gun…[I] had enough of it, of things happening one after another and no end in sight. Of reversals and falling in love and tragic flaws and by God if I see another motif in my business I will shoot it dead.

I will always be here, in my old chair by the door, waiting for you, whenever you are lonesome. Our little house will always look just the same as when we first blew the dust off the bookshelves, and the kettle will always be just about to boil. Sometimes I will be young, and sometimes I will be old, sometimes you will be young, and sometimes you will be old. But for as long as forever, I will keep a room for you. I swear by the sparkle in my eye and the spring in your step.

Truly, Autumn is my season,” the scarlet beast chorted. “Spring and Summer and Winter all begin with such late letters! But Autumn and Fall, I have loved best, because they are best to love.

You can't blame a book for its story.

Very well, you do so love rules! I shall make some up for you on the spot, so that my little moppet is not forced to wander the world in a soup of stories without laws. A tale may have exactly three beginnings: one for the audience, one for the artist, and one for the poor bastard who has to live in it.

A story is a map of the world. A gloriously colored and wonderful map, the sort one often sees framed and hanging on the wall in a study full of plush chairs and stained-glass lamps: painstakingly lettered, researched down to the last pebble and participle, drawn with dash and flair, with cloud-goddesses in the corners and giant squid squirming up out of the sea...[T]here are more maps in the world than anyone can count. Every person draws a map that shows themselves at the center.