157 Quotes by Chuck Close

  • Author Chuck Close
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    I tried to, with a series of self-imposed limitations, back myself into my own personal corner where nobody else's answers would fit. I've always thought that problem-solving is highly overrated and that problem creation is far more interesting.

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  • Author Chuck Close
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    I mean, if you think about a writer, you're going to write a novel that takes several months, but there's never a time you're doing anything more than shoving one word up against the next. And clusters of those words make sentences and paragraphs and a chapter. You just try to maintain the same voice and the same attitude so it sounds like the same person wrote the last chapter that wrote the first chapter.

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  • Author Chuck Close
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    There are so many artists that are dyslexic or learning disabled, it's just phenomenal. There's also an unbelievably high proportion of artists who are left-handed, and a high correlation between left-handedness and learning disabilities.

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  • Author Chuck Close
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    I have no intention of flattering people. I like wrinkles and crow's feet and flaws, and somebody should know, if I'm going to photograph them, that's going to show up, you know?

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  • Author Chuck Close
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    Sculpture occupies real space like we do... you walk around it and relate to it almost as another person or another object.

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  • Author Chuck Close
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    If you ask yourself a personal enough question, your response is more likely to be personal, and that means that if you get yourself into trouble, no one else's answers are going to be applicable, and you'll be flying by the seat of your pants and you'll have to come up with something.

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  • Author Chuck Close
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    Painting is the most magical of mediums. The transcendence is truly amazing to me every time I go to a museum and I see how somebody figured another way to rub colored dirt on a flat surface and make space where there is no space or make you think of a life experience.

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  • Author Chuck Close
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    If you think about the way a composer would go in a room and score, let's say, the oboe's gonna play this note, the bassoon's gonna play that note, the french horn will play that note, the resultant sound, the combination of those notes makes kind of a chord, and I'm doing the same thing with color.

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