395 Quotes by Chuck Klosterman

It feels so exhausting to be so bad at something I loved so much.

When I was a film critic, the reason I kind of found it disenchanting was because the things that I wanted to talk about were the ideas in the movie, the theme of it, and contextual elements that weren't necessarily central to the story. But the only thing people really wanted was a plot description and how many stars I'd give it. It didn't matter how much effort you put into writing a piece, they looked at it solely as a consumer's guide toward going or not going to films.

Every one of Joel's important songs--including the happy ones--are ultimately about loneliness. And it's not 'clever lonely' (like Morrissey) or 'interesting lonely' (like Radiohead); it's 'lonely lonely,' like the way it feels when you're being hugged by someone and it somehow makes you sadder.

People are more interested in reading bombastic ideas, whether they're positive or negative. Part of me has sort of lost interest in doing criticism because of that. I've always realized that criticism is basically autobiography. Obviously in my criticism, it's very clear that it's autobiography, but I think it's that way for everybody.

It's possible for me to imagine a generation of people maybe two generations removed from you who might decide that we have an adversarial relationship with technology.

Different critics go to different lengths to disagree with that sentiment, but ultimately, they're the person experiencing this art, and whatever judgment or taste they use is internal, and says more about them than about the record they're writing about.

It's possible this whole "Why do Latinos love Morrisey?" question will haunt us forever. Fortunately, Canadian academics are on the case.

This is what being alive feels like, you know? The place doesn't matter. You just live.

Every generation is more influenced by technology, which is always changing faster.