904 Quotes by David Foster Wallace

It was when I was the age where you can, as they say, "hear voices" without worrying that something is wrong with you. I "heard voices" all the time as a small child.

You can be shaped, or you can be broken. There is not much in between. Try to learn. Be coachable. Try to learn from everybody, especially those who fail. This is hard. ... How promising you are as a Student of the Game is a function of what you can pay attention to without running away.

(I'm not putting any of this well. I am not and never have been an intellectual. I am not articulate, and the subjects that I am trying to describe and discuss are beyond my abilities. I am trying, however, the best I can, and will go back over this as carefully as possible when I am finished, and will make changes and corrections whenever I can see a way to make what I'm discussing clearer or more interesting without fabricating anything.)

It feels intensely twisted to see reigning industry queen Jenna Jameson chilling out at the Vivid booth in Jordaches and a latex bustier and to know already that she has a tattoo of a sundered valentine with the tagline Heart Breaker on her right buttock and a tiny hairless ole just left of her anus.

Postmodern irony and cynicism's become an end in itself, a measure of hip sophistication and literary savvy. Few artists dare to try to talk about ways of working toward redeeming what's wrong, because they'll look sentimental and naive to all the weary ironists. Irony's gone from liberating to enslaving. ... The postmodern founders' patricidal work was great, but patricide produces orphans, and no amount of revelry can make up for the fact that writers my age have been literary orphans throughout our formative years.

The desire for perfect release and the real-world impossibility of perfect, whenever-you-want-it release had together produced a tension they could no longer stand.

Stay conscious and alive, day in and day out.

Kafka's evocations are, rather, unconscious and almost sub-archetypal, the little-kid stuff from which myths derive; this is why we tend to call even his weirdest stories nightmarish rather than surreal.

There's a kind of Ah-ha! Somebody at least for a moment feels about something or sees something the way that I do. It doesn't happen all the time. It's these brief flashes or flames, but I get that sometimes. I feel unalone—intellectually, emotionally, spiritually. I feel human and unalone and that I'm in a deep, significant conversation with another consciousness in fiction and poetry in a way that I don't with other art.