694 Quotes by David Sedaris

At the morgue, people were so desensitized that they would eat lunch in the glass walled room adjacent to the autopsy room. A viewing room. Because it had the best air conditioning in the building. So they would eat in there and maybe somebody would come in who had been found after being dead for three days and they would say: That is the exact purple I want for those drapes in the study. They didn't miss a beat. They could eat through anything.

People discuss their relationships all the time, but you can't. I don't think people realize how harmful that is, how it twists you up to hide who you are. It's not healthy, and the great gains that homosexuals have made in my lifetime, I think that we'll look back in twenty or thirty years and say, "I can't believe we ever made them go through that."

In books and movies infidelity always looks so compelling, so right. Here are people who defy petty convention and are rewarded with only the tastiest bits of human experience.

It can take years. With the first draft, I just write everything. With the second draft, it becomes so depressing for me, because I realize that I was fooled into thinking I'd written the story. I hadn't-I had just typed for a long time. So then I have to carve out a story from the 25 or so pages. It's in there somewhere-but I have to find it. I'll then write a third, fourth, and fifth draft, and so on.

I think it's good to have the alone time. Well, I kind of have to, because I have to be alone in order to work, so I have alone time. And then I go on tour and I have being-around-people time.

On one tour, I was collecting stories about pet monkeys. You'd be surprised how many people have stories about monkeys. The problem is, most monkey stories end tragically.

When I taught, a lot of my students weren't big readers, so they would write something and I realized that they thought it belonged in a book. Like, they didn't know what the inside of a book looked like, you know what I mean?

I think I became a better writer after I started writing for the New Yorker. Well, I know I did. And part of it was having my New Yorker editor and part of it is that was when I started really going on tour and reading things in front of an audience 30 times and then going back in the room and rewriting it and reading it and rewriting it. So you really get the rhythm of the sentences down and you really get the flow down and you get rid of stuff that's not important.

Famous people like to choose friends who won't go around repeating their conversations and details about them.