813 Quotes by Don DeLillo

People stress the violence. That's the smallest part of it. Football is brutal only from a distance. In the middle of it there's a calm, a tranquility. The players accept pain. There's a sense of order even at the end of a running play with bodies strewn everywhere. When the systems interlock, there's a satisfaction to the game that can't be duplicated. There's a harmony.

The best moments involve a loss of control. It's a kind of rapture, and it can happen with words and phrases fairly often - completely surprising combinations that make a higher kind of sense, that come to you out of nowhere. But rarely for extended periods, for paragraphs and pages - I think poets must have more access to this state than novelists do.

Mirrors and images. Or sex and love. These are two separate systems that we miserably try to link.

There's a curious knot that binds novelists and terrorists...Years ago I used to think it was possible for a novelist to alter the inner life of the culture. Now bomb-makers and gunmen have taken that territory. They make raids on human consciousness. What writers used to do before we were all incorporated.

Naturally a direct comparison of terrorist and novelist is complete nonsense. But there was once a time when the novelist also had some influence on how his contemporaries thought, the way they saw the world, the way they lived.

It's impossible to write about the Kennedy assassination and its aftermath without taking note of twenty-five years of paranoia which has collected around that event.

Once you've seen the signs about the barn, it becomes impossible to see the barn.

I think fiction comes from everything you've ever done, and said, and dreamed, and imagined. It comes from everything you've read and haven't read. I think my work comes out of the culture of the world around me. I think that's where my language comes from.

The force of a death should be enormous but how can you know what kind of man you've killed or who was the braver and stronger if you have to peer through layers of glass that deliver the image but obscure the meaning of the act? War has a conscience or it's ordinary murder.