436 Quotes by Edward Gibbon

The active, insatiate principle of self-love can alone supply the arts of life and the wages of industry; and as soon as civil government and exclusive property have been introduced, they become necessary to the existence of the human race.

Of the three Popes, John the Twenty-third was the first victim; he fled and was brought back a prisoner; the most scandalous charges were suppressed; the Vicar of Christ was only accused of piracy, murder, rape, sodomy, and incest

Greek is a musical and prolific language, that gives a soul to the objects of sense, and a body to the abstractions of philosophy.

Although the progress of civilisation has undoubtedly contributed to assuage the fiercer passions of human nature, it seems to have been less favourable to the virtue of chastity, whose most dangerous enemy is the softness of the mind. The refinements of life corrupt while they polish the intercourse of the sexes. The gross appetite of love becomes most dangerous when it is elevated, or rather, indeed, disguised by sentimental passion.

Freedom is the first wish of our heart; freedom is the first blessing of nature; and unless we bind ourselves with voluntary chains of interest or passion, we advance in freedom as we advance in years

In the productions of the mind, as in those of the soil, the gifts of nature are excelled by industry and skill . . .

Decent easy men, who supinely enjoyed the gifts of the founder.

The elegance of dress, of motion, and of manners gives a lustre to beauty, and inflames the senses through the imagination. Luxurious entertainments, midnight dances, and licentious spectacles, present at once temptation and opportunity to female frailty. From such dangers the unpolished wives of the barbarians were secured by poverty, solitude, and the painful cares of a domestic life.

Genius may anticipate the season of maturity; but in the education of a people, as in that of an individual, memory must be exercised, before the powers of reason and fancy can be expanded: nor may the artist hope to equal or surpass, till he has learned to imitate, the works of his predecessors.