28 Quotes by Emmanuelle de Maupassant

We who are beyond the mortal world see many things from the edges; we hear the subtle shifts of rhythm in the beat of a blackening heart.

We are the voices in the shadows,Between the light and shade,Betwixt life and restful death,In the dark periphery of the unseen.We’re here, At the edges. We are the villainous punished,The innocent murdered or abandoned,Our lives ended by foul means, or unspeakable deeds.We are your lovers long gone; your siblings forsaken.Can you hear us?At the edgesFrom the Foreword of Cautionary Tales - by Emmanuelle de Maupassant

Here, at the edges,Whispering to you,And we’re not alone; not aloneHere, in the dark.We are behind the door, in the corners,In the room where you’ve just extinguished the light.We flicker in the shadow you cast on the wall.We are the prickle on the back of your neck.Curled, in words unspoken,We are the shiver on your uneasy flesh,The creep of the unknown on your skin.Can you feel us?Here, at the edges.From the Foreword of Cautionary Tales - by Emmanuelle de Maupassant

Good and evil exist in all of us. a moment’s temptation takes us on a wrong path. On that path may lurk foul fiends,inhuman, yet feeding, needingall our weaknesses: vanity, indolence and envy,Easy fruits for evil appetites,our flesh, a tasty afterthought,our bones flung asunder.

Crook your finger; they’ll come closer. Pull the covers tighter to your chin; in beside you they’ll creep.

Listen,listen with your eyes,and your lips.Listen with your skin, and your blood.Can you hear us,at the edges?

The cold is waiting to ooze through the soles of your shoes. Maggot-damp, this city is festering: home to hollow faces of grey flesh. They stare from windows unclean, into the sun never reaches: dismal lives lived in dismal constriction.

She is still forming her conclusions but, above all, is convinced that their actions are borne of instinct: fixed patterns that take them to their source of food, to their safe havens, to their mates, and, ultimately, to their death, since their predators learn these patterns as surely as if they, too, had read Maud’s book.

MacCaulay clutches his coat tightly and makes towards the elaborate iron gates of the park. He hurries past Apsley House: one time residence of the ‘hero of a hundred fights’ – the Duke of Wellington. His monument to his own great deeds stands yet in front of the drawing room windows. If he had, in modesty, forgotten his own greatness, he might have looked upon it, and been reminded.