31 Quotes by Eric Whitacre

When I had my first experiences of choral singing, the dissonance of those close harmonies was so exquisite that I would giggle or I would tear up, and I felt it in a physical way.

I wanted to be a rock star. I dreamed of it, and that's all I dreamed of. To be more accurate, I wanted to be a pop star. This was in the late '80s. And mostly, I wanted to be the fifth member of Depeche Mode or Duran Duran.

I wouldn't say that I'm actually trying to cause chills in the audience, but certainly my goal is to, at the very least, effect a physiological response - at the most, to effect some sort of state change, ideally, in the audience.

In Las Vegas, the magnitude is impressive, but the humanity is gone. It feels like you're being intimidated out of your money instead of inviting you to come have this experience.

There must be four or five hundred choirs here in London alone. In a way, there's nowhere else on Earth I could go and get this level and passion for singing in the one place.

When you look back on music history, it falls into these neat periods, but of course, the period you yourself are living through seems totally scattered and chaotic.

For the first six or eight months at Juilliard I felt paralysed. I didn't know what I was doing.

When I went to college at the University of Nevada back in Las Vegas, I got tricked into singing in choir. The first thing we did was the Mozart 'Requiem.' That was the piece that changed my life overnight.

With vocal and choral music, first and foremost, it's the text. Not only do I need to serve the text, but the text - when I'm doing it right - acts as the perfect 'blueprint', and all the architecture is there. The poet has done the heavy lifting, so my job is to find the soul of the poem and then somehow translate that into music.