102 Quotes by Flume

The goal was always to do something that felt human but was 100 percent electronic.

I love working with people and having them bring something to the table that I couldn't. I think one of my favourite artists to work with has been Kucka. She's Australian, too, and it's great working with her because we kind of have a very similar take on music, and we like a lot of the same stuff. We're not super-precious about ideas.

On stage, I like to dress up a bit. I'm not scared to be like a character up there.

I never expected to make a lot of money from music.

What it is now is basically, I'll sit on my computer; I basically kind of play the computer as an instrument, I guess you could say. I guess I play the Mac. And how it works is, say - I have a program called 'Ableton Live.' And, you know, you'll open it up, and it's just blank. There's nothing there. And then you start.

It was a difficult second record. I had moments where I couldn't write; had moments where I was writing lots. It was just a massive learning process for me.

I get bored of music really easily, so I always try and make music that makes sense, but then it's just a little bit wrong.

I can't sing, but I'll sing over this chord progression, like, over and over, for however long it takes - sometimes it's, like, two minutes, sometimes it's 20 minutes - until I've found like a hook or something that I'm really happy with. And then, basically, it just like that's my melody, and that's where I start from.

A lot of electronic music out there feels cold. I want to incorporate a human element.