52 Quotes by Hans-Ulrich Obrist

Alex Poots has always made a bridge between highly experimental and the mainstream.

For me, the making of exhibitions has always had to do with dialogue: a concentrated, in-depth, focused dialogue with artists, who keep teaching me that exhibitions should always invent new rules for the game.

I see a curator as a catalyst, generator and motivator - a sparring partner, accompanying the artist while they build a show, and a bridge builder, creating a bridge to the public.

For me, it's always been very essential to work on projects that one can work on almost for their entire life.

I always have coffee and porridge for breakfast.

The 21st-century curator works in a supremely globalised reality.

Most cities have a centre surrounded by suburbs, but London has numerous centres: it's the model of a twenty-first century metropolis.

Exhibitions usually are not collected; they disperse after they take place.

I don't wake up in the morning and think about Franz Kline.