84 Quotes by James Agee

  • Author James Agee
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    I believe that every human being is potentially capable within his 'limits' of fully 'realizing' his potentialities; that this, his being cheated and choked of it, is infinitely the ghastliest, commonest, and most inclusive of all the crimes of which the human world can assure itself.

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  • Author James Agee
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    It is the middle and pure height and whole of summer and a summer night, the held breath, of a planet's year; high shored sleeps the crested tide: what day of the month I do not know, which day of the week I am not sure, far less what hour of the night.

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  • Author James Agee
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    And no matter what, there's not one thing in this world *or* the next that we can do or hope or guess at or wish or pray that can change it or help it one iota. Because whatever is, is. That's all. And all there is now is to be ready for it, strong enough for it, whatever it may be. That's all. That's all that matters. It's all that matters because it's all that's possible.

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  • Author James Agee
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    The artist's task is not to alter the world as the eye sees it into a world of aesthetic reality, but to perceive the aesthetic reality within the actual reality. (On photographs by Helen Levitt)

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  • Author James Agee
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    Of those that are drawn away, each is drawn elsewhere toward another: once more a man and a woman, in a loneliness they are not liable at that time to notice, are tightened together upon a bed: and another family has begun.

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  • Author James Agee
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    The camera seems to me, next to unassisted and weaponless consciousness, the central instrument of our time.

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  • Author James Agee
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    For in the immediate world, everything is to be discerned, for him who can discern it, and central and simply, without either dissection into science, or digestion into art, but with the whole of consciousness, seeking to perceive it as it stands: so that the aspect of a street in sunlight can roar in the heart of itself as a symphony, perhaps as no symphony can: and all of consciousness is shifted from the imagined, the revisive, to the effort to perceive simply the cruel radiation of what is.

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