129 Quotes by John Gardner

The best way a writer can find to keep himself going is to live off his (or her) spouse. The trouble is that, psychologically at least, it’s hard. Our culture teaches none of its false lessons more carefully than that one should never be dependent. Hence the novice or still unsuccessful writer, who has enough trouble believing in himself, has the added burden of shame. It’s hard to be a good writer and a guilty person; a lack of self-respect creeps into one’s prose.

We human beings glimpse lofty ideals, catch ourselves betraying them, and sink to suicidal despair--despair from which only the love of our friends can save us, since friends see in us those nobler qualities we ourselves, out of long familiarity, have forgotten we possess. That, of course, is why the suicidal person is difficult around his friends.

The trees are dead. The days are an arrow in a dead man's chest.

As in the universe every atom has an effect, however minuscule, on every other atom, so that to pinch the fabric of Time and Space at any point is to shake the whole length and breadth of it, so in fiction every element has effect on every other, so that to change a character's name from Jane to Cynthia is to make the fictional ground shudder under her feet.

He must shape simultaneously (in an expanding creative moment) his characters, plot, and setting, each inextricably connected to the others; he must make his whole world in a single, coherent gesture, as a potter makes a pot...

Real suspense comes with moral dilemma and the courage to make and act upon choices. False suspense comes from the accidental and meaningless occurrence of one damned thing after another.

So childhood too feels good at first, before one happens to notice the terrible sameness, age after age.

[the writer] must copy, with his finite mind, the process of the infinite 'I AM.

All to often, on the long road up, young leaders become servants of what is rather than shapers of what might be.