360 Quotes by John Lydon

These were early days for me in the American culture, and so I wasn’t aware that when people are showing you guns, they’re not threatening you, it’s like they’re showing you their art collection. For me, at that point, what he was presenting to me was very challenging.

Meat isn't murder, it's delicious.

It wasn’t overwhelmingly catastrophic he killed himself. Most people who mess about with heroin, they lose their souls way earlier, it’s just waiting for the body to keel over.

Disco sucks? You never heard that from me.

Within a year or two, however, a couple of the first things I wrote – ‘Anarchy In The UK’ and ‘God Save The Queen’ – really hit their target. I’d like to thank the British public library system: that was my training ground, that’s where I learned to throw those verbal grenades. I wasn’t just throwing bricks through shop windows as a voice of rebellion, I was throwing words where they really mattered. Words count.

But I don’t call it immigration, I call it migration. As a species it’s very healthy for us to get up and move around the planet. Sometimes certain groups of people have to do that for economic reasons. Nobody’s doing it just to be spiteful. Everybody loves the idea of a homeland. I used to, but I’ve kind of got the bigger picture now. It’s a home planet to me.

Simon Le Bon spotted me having a problem there, and he went, ‘Don’t you know who he is?’ and that was it, I was in. I thought, ‘Bloody hell, it takes Duran Duran to get Johnny Rotten into a building!’ I liked him as a bloke, and I like a lot of their songs. I like ‘Girls On Film’, and I can’t pretend otherwise.

I never felt Irish. I always felt, ‘I’m English, this is where I come from, and that’s that.’ Because you’d be reminded of that when you went to Ireland: ‘Ye’re not Oirish!’ the locals would say. So it was like, ‘Bloody hell, shot by both sides here.’ I still love that Magazine song – so relevant to me, those lyrics.

I hate death; it takes people away from you. You're left feeling rudderless.