49 Quotes by Kara Walker

I've seen people glaze over when they're confronted with racism, and there's nothing more, you know, damning and demeaning to having any kind of ideology than people just walking the walk and saying what they're supposed to say and nodding, and nobody feels anything.

There was a manifesto in the late '60s/early '70s, and it basically laid out what 'black art' was and that it should embrace black history and black culture. There were all these rules - I was shocked, when I found it in a book, that it even existed, that it would demarcate these artists.

I don't think that my work is actually effectively dealing with history. I think of my work as subsumed by history or consumed by history.

One of my earliest memories involves sitting on my dad’s lap in his studio in the garage of our house and watching him draw. I remember thinking: ‘I want to do that, too,’ and I pretty much decided then and there at age 2½ or 3 that I was an artist just like Dad.

Im not really about blackness, per se, but about blackness and whiteness, and what they mean and how they interact with one another and what power is all about.

I think really the whole problem with racism and its continuing legacy in this country is that we simply love it. Who would we be without the 'struggle?'

I often compare my method of working to that of a well-meaning freed woman in a Northern state who is attempting to delineate the horrors of Southern slavery but with next to no resources, other than some paper and a pen knife and some people she'd like to kill

If you're a Black artist, you could paint a wall of smiley faces, and someone will still ask you, 'Why are you so angry?'

A lot of my work has been about the unexpected—that kind of wanting to be the heroine and yet wanting to kill the heroine at the same time. That kind of dilemma—that push and pull—is the underlying turbulence that I bring to each of the pieces that I make.