54 Quotes by Karen Abbott
- Author Karen Abbott
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As a kid, I liked to write, but I didn't think that was a viable career choice. My dream, actually, was to be a white girl rapper and join Salt-N-Pepa - which obviously was a much more viable career choice.
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- Author Karen Abbott
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Female spies typically represented one of two extremes: the seductress who employed her wiles to manipulate men, and the cross-dresser who blended in by impersonating them.
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- Author Karen Abbott
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I wasn't really a dark kid, but I was in my head a lot. I got good grades all through my 16 years of Catholic school, but I was always writing these weird - and, I have to say, really bad - stories, filled with murder.
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- Author Karen Abbott
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In 2001, I moved from Philly to Atlanta, where I lived for six years. I had never lived anywhere but Philly, and you can imagine the culture shock; the Civil War seeps into daily life and conversation down South in a way it never does up North.
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- Author Karen Abbott
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The real Rose Hovick was seriously mentally disturbed; June Havoc called her a beautiful little ornament that was damaged.
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- Author Karen Abbott
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Gypsy [Rose Lee] is as unique as she is timeless. Her story is classic Americana, and the strangest rags-to-riches saga you'll ever read; I like to call it Horatio Alger meets Tim Burton.
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- Author Karen Abbott
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Gypsy [Rose Lee], who was called Louise as a kid, gave her first performances here with her sister [June Hovac], playing for the local Masonic lodge halls. It was a tight-knit community, and the support and success the act enjoyed here enabled them to hit the road and make it in big-time vaudeville.
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- Author Karen Abbott
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Her sister [June Havoc] said the musical portrayed who Gypsy [Rose Lee] wanted to be before the burlesque thing happened she wanted to be this beautiful, romantic person with dreams. So Gypsy told the story of her life as she wished she'd lived it: embellishing, softening the edges, eliminating certain things altogether.
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- Author Karen Abbott
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Gypsy [Rose Lee ] was a masterful storyteller, and her memoir and by extension, the musical weren't only Gypsy's monument; they were also her chance for monumental revisionism.
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