19 Quotes by Kem Nunn

My books often involve characters who began in some form of mental isolation, with a feeling of having died to the world. Then they become involved in some kind of action where by necessity they're forced to reengage, to get back into the game of life, as it were. You could say that about 'Chance.'

I've continued to write fiction since being in television. TV is a different kind of writing, but it's all writing. It was David Milch of 'Deadwood' who helped me to see it that way. We later collaborated on the short-lived 'John from Cincinnati,' but I'm very proud of the work we did together.

My 20s were a lost decade. I didn't do much of anything.

I've always relied a lot on landscape in my books, the atmosphere of a particular place, as well as a fair amount of external action. While writing 'Chance,' it occurred to me that this is the most internal book I've ever written. So much of the action takes place in Chance's head.

It's hard to make a living as a novelist. My first novel 'Tapping the Source' made quite a splash in Hollywood, and people started asking if I wanted to write scripts. I quickly realized I could make a lot more money that way.

People want miracles. Sometimes the only miracle is, I take your hand. That’s the miracle.” A.

You might get Yahweh and burning bushes.

We are dreamers, shouting out in our sleep, pilgrims lost in a forest of symbols where no man can say with certainty who he is.

Chance imagined himself no stranger to the machinations by which people went about establishing the architecture of their own imprisonment, the citadels from whose basement windows one might on occasion hear their cries. Like Houdini, we construct the machinery of our entrapment from which we must finally escape or die.