59 Quotes by Lawrence Osborne

To me, the contemporary novel suffers from a lack of sense of place - or spirit of place, if you will. It's not important to most writers, I must assume, or they try to research a given background on sabbatical. Not for me. I write about places I've lived long before I ever set pen to paper.

Bangkok is infamously mired in lurid contradiction, but it's also a city of subtle and distorted moods that journalism and film have hitherto mostly failed to capture.

Asa Briggs was a historian of class history, so he felt obligated to bring in his driver. That's the English class thing that is much weaker now.

My grandfather was an amazing cap-in-hand guy.

I left New York after my mother died and, rather aimlessly, had settled in Istanbul for a change of scene. It was a rather dramatic gesture on my part, since I'd lived in New York for 20 years, but I felt I needed something different - the escalating expense and pressure of New York had begun to weary me.

There's a distinct unease about Americans when they are outside the United States. I can't say quite what it is, but they are easily spooked or driven to cynicism - the country is diverse but, paradoxically, extremely insular.

I'll wager there isn't a human being on earth who doesn't believe in luck, however rational they pretend to be in public life. In reality, most of human life is luck - and, of course, its darker, more prevalent opposite. One only has to live long enough to experience both.

I read Gide's 'The Immoralist' over and over as a teenager. I was obsessed with it. It's written with such simplicity and dread, and the desert, the shabby colonial world, is brought right into your consciousness without being over-explained.

My parents were bookish, very musical, but otherwise uninvolved in the arts or the academic world.