24 Quotes by Leslie Le Mon
- Author Leslie Le Mon
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According to Zagat Disneyland Insider's Guide (2010), the Candy Palace is the fifth most popular store in the entire resort, and the third most popular in the park. Perhaps one reason is the shop's intoxicating candy scent; it vents onto Main Street, an elixir of vanilla and molten chocolate that entices Guests to enter the premises and then entices then to remain. pouring over the bins, shelves, and racks of traditional and unique candies.
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Walt also had a humorous sign posted outside the mansion, recruiting ghosts who wanted to enjoy 'active retirement' in the "country club atmosphere' of this 'fashionable address'. Interested ghosts were to write to the 'Ghost Relations Dept. Disneyland,' and were told,'Do not apply in person.
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Designed in a 'Pueblo Deco' style, which blends Mission with Art Deco influences, the DCA tower is a composite modeled after real Hollywood landmarks built in the 1920's; possible influences include the Hollywood Tower at 6200 Franklin Avenue, The Hollywood Roosevelt Hotel at 7000 Hollywood Boulevard and the Chateau Marmont at 8221 Sunset Boulevard.
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In a large sense, Main Street is the American origin story. It's an evocation of the American creation tale, and the kick is that the American origin story is a never-ending one, a perpetual tale of creation and re-creation, an eternal now.
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The DCA Tower of Terror is a powerful visual landmark that looms over the park day and night. It's not just the tallest building at Disneyland Resort; it's the tallest building in Anaheim. Amtrak travelers know they're approaching the Anaheim train station when they see the Tower of Terror looming in the distance.
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No child has ever been kidnapped from Disneyland. This is one of many Disneyland urban legends that don't have a basis in fact. The kidnap stories-- urban legends.
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Disneyland was one perfect answer. It provided, an almost sacred space where it is permissible and safe to let one's guard down, take a risk, rediscover imagination, have fun, express emotion, play and deepen family ties. This is powerful stuff even today, in our nation of workaholics and two-working-parent households, and it was certainly powerful in the anxious 1950's.
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It's not a real place, or a place that you can stay for long; it's a somewhere-over-the-rainbow archetype but rooted in genuine emotions. No matter what Guests' care might be, when they step onto Main Street they enter an evocation of the ideal home town. This is, in a sense, the 'home' to which Dorothy Gale wanted to return. Main Street welcomes all Guests with warmth as comforting today as it was to the post-war society of the 1950's for which it was originally created.
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Fantasyland communicates with the part of us that believes we can fly, and knows that there are monsters lurking in the woods.
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