23 Quotes by Luka Sulic

The range of the cello is so big, it can play as low as the double bass and as high as the violin. It has the perfect shape, and its sound is the closest to the human voice.

We want to connect all these musical worlds together. We just improvise; we know straight away if its going to work or not. They're not covers - I hate the word cover. We do a transcription: mix it up, put our own spin on it. I think people will be surprised how powerful our show is.

Many classical musicians lack pulse and rhythmical strength and precision, so for us it was very important to acquire and learn those.

People don't think of cello as a rock instrument, really, and we want people to know all the possibilities that the cello can offer.

Now, we are still learning how to approach girls, you know, learning what to say, etc., because the practice we've had was with our other girl, the cello. If you noticed, it has the shape of a female.

We wanted to make a powerful cello sound in order to show to the world the possibilities of the cello and to use it in a different way than the classical way they are used to. We wanted to play something exciting, something crazy, something to draw younger generations to this great instrument.

We were never happy with the way cello was recorded, and we wanted to experiment in the studio to make the cello rock as much as possible. On the second album, we had great help from Bob Ezrin, who helped us develop our sound even more.

I like to swim a lot, while Stjepan likes to take long walks with girls. He's the very romantic type. Yes, musicians are romantic.

It took us three months to finish the arrangement of 'Thunderstruck.'