1,085 Quotes by Marcel Proust

Let us leave pretty women to men with no imagination.

But,instead of what our imagination makes us suppose and which we worthless try to discover,life gives us something that we could hardly imagine.

The inertia of the mind urges it to slide down the easy slope of imagination, rather than to climb the steep slope of introspection.

We have such numerous interests in our lives that it is not uncommon, on a single occasion, for the foundations of a happiness that does not yet exist to be laid down alongside the intensification of a grief from which we are still suffering.

Our vanity, our passions, our spirit of imitation, our abstract intelligence, our habits have long been at work, and it is the task of art to undo this work of theirs, making us travel back in the direction from which we have come to the depths where what has really existed lies unknown within us.

In a world thronged with monsters and with gods, we know little peace of mind. There is hardly a single action we perform in that phase which we would not give anything, in later life, to be able to annul. Whereas what we ought to regret is that we no longer possess the spontaneity which made us perform them. In later life we look at things in a more practical way, in full conformity with the rest of society, but adolescence is the only period in which we learn anything.

A work in which there are theories is like an object which still has its price-tag on.

Other people are, as a rule, so immaterial to us that, when we have entrusted to any one of them the power to cause so much suffering or happiness to ourselves, that person seems at once to belong to a different universe, is surrounded with poetry, makes of our lives a vast expanse, quick with sensation, on which that person and ourselves are ever more or less in contact.

All the products of one period have something in common; the artists who illustrate the poetry of their generation are the same artists who are employed by the big financial houses. And nothing reminds me so much of the monthly parts of Notre-Dame de Paris, and of various books by Gérard de Nerval, that used to hang outside the grocer's door at Combray, than does, in its rectangular and flowery border, supported by recumbent river-gods, a 'personal share' in the Water Company.