424 Quotes by Michael Chabon

Because Trickster is looking to stir things up, to scramble the conventions, to undo history and received notions of what is art and what is not, to sing for his supper, to find and lose himself in the act of entertaining. Trickster haunts the boundary lines, the margins, the secret shelves between the sections in the bookstore. And that is where, if it wants to renew itself in the way that the novel has done so often in its long history, the short story must, inevitably, go.

She is getting old, and he is getting old, right on schedule, and yet as time ruins them, they are not, strangely enough, married to each other.

Maybe I’m tired,” he said. “Maybe I’m tired of picking up life in bits and fistfuls and little drawstring bags. When you get to be as old as I am, there’s an appeal in the idea of seeing some business through from start to finish.

The short story narrates the moment when a dark door, long closed, is opened, when a forgotten error is unwittingly repeated, when the fabric of a life is revealed to have been woven from frail and dubious fiber over top of something unknowable and possibly very bad.

My grandparents forgave each other with the pragmatism of lovers in a plummeting airplane. There would be ample time for reproach in the event of their survival.

The other fellow was more of a fireplug, broad in the chest and shoulders, with a wide pugnacious face and the hint of a shadow even on his freshly shaved jaw. He always looked as if he had not dressed for work that morning so much as gotten into some kind of altercation with his suit, shirt, and tie.

Taking pains, working hard, not flaunting his or her chops so much as relying on them, the pop artisan teeters on a fine fulcrum between the stern, sell-the-product morality of the workhorse and the artist’s urge to discover a pattern in, or derive a meaning from, the random facts of the world.

Ideas are the easy part. I spend a lot of time batting them away, trying to keep them from distracting me from what I actually have to focus on and finish. A lot of times, they are a siren temptress beckoning me with the promise of a much shorter, simpler, more slender novel over the horizon, but of course that's very dangerous.

I remember tearing up the first time I read Nabokov's description, in 'Speak, Memory,' of his father being tossed on a blanket by cheering muzhiks, with its astonishingly subtle foreshadowing of grief and mourning.