122 Quotes by Michael Dirda

  • Author Michael Dirda
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    Close friends, or those in my pay, sometimes call me a literary polymath, while others say that I'm just a shallow dilettante, superficial and breezy, with a faux-naif style.

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  • Author Michael Dirda
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    For those of us with an inward turn of mind, which is another name for melancholy introspection, the beginning of a new year inevitably leads to thoughts about both the future and the past.

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  • Author Michael Dirda
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    When I talk to friends and editors about possible projects, especially about projects that might come with a significant cash advance, they usually suggest a biography. Sometimes I'm tempted, but the prospect of spending years researching and writing about someone else's life offends my vanity.

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  • Author Michael Dirda
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    In truth, my Anglophilia is fundamentally bookish: I yearn for one of those country house libraries, lined on three walls with mahogany bookshelves, their serried splendor interrupted only by enough space to display, above the fireplace, a pair of crossed swords or sculling oars and perhaps a portrait of some great English worthy.

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  • Author Michael Dirda
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    Basically, I think that most people either make too much money or not enough money. The jobs that are essential and important pay too little, and those that are essentially managerial pay far too much.

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  • Author Michael Dirda
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    The goal of a just society should be to provide satisfying work with a living wage to all its citizens.

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  • Author Michael Dirda
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    People sometimes think that I bring home all these old books because I'm addicted, that I'm no better than a hoarder with a houseful of crumbling newspapers.

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  • Author Michael Dirda
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    I don't like gross monetary inequities. I firmly believe that the wrong people and the wrong professions are being rewarded, and rewarded absurdly, and that the hardest work the obscenely rich do is ensuring that they preserve their privileges, status symbols, and bloated bank accounts.

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  • Author Michael Dirda
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    Late summer is perfect for classic mysteries - think of Raymond Chandler's hot Santa Anas and Agatha Christie's Mediterranean resorts - while big ambitious works of nonfiction are best approached in September and early October, when we still feel energetic and the grass no longer needs to be cut.

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