165 Quotes by Michael Haneke

  • Author Michael Haneke
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    I don't really ask myself too much where the ideas come from. When things touch you or anger you, you are moved to want to examine them, to reflect on them. But yes, I guess you could say ['Amour'] is a memento mori, though it would never occur to me to use that term, since it might sound a little bit sentimental.

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  • Author Michael Haneke
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    Pornography, it seems to me, is no different from war films or propaganda films in that it tries to make the visceral, horrific, or transgressive elements of life consumable

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  • Author Michael Haneke
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    When making a film, I'm never concerned about whether the theme is new or whether it's been done before in cinema or not. I'm led to make films if there's a theme that interests me or I experience something in my own life that confronts me with something that I want to deal with.

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  • Author Michael Haneke
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    Unfortunately, you're helpless when people interpret your work wrongly. There are simply people who can't or won't understand or accept what you're trying to do. When you take the risk of expressing yourself in public, you have to open yourself to that possibility.

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  • Author Michael Haneke
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    My father and I had a good relationship, it was very relaxed. He had a lot of humour. He looked a little bit like me, although he had no beard. He had the appearance of a very elegant British-looking man.

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  • Author Michael Haneke
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    Film is 24 lies per second at the service of truth, or at the service of the attempt to find the truth.

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  • Author Michael Haneke
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    People expect me to be dark and gloomy, then write that I'm a jolly chap, and after all, that is what I am. I think it's a case of an absolute romantic naivety that there should be a parallel between the work and the artist.

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  • Author Michael Haneke
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    I'm not really a happy person. It's a question of temperament. I have a tendency toward melancholy. You can feel quite happily melancholic.

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  • Author Michael Haneke
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    In all of my work I'm trying to create a dialogue, in which I want to provoke the recipients, stimulate them to use their own imaginations. I don't just say things recipients want to hear, flatter their egos or comfort them by agreeing with them. I have to provoke them, to take them as seriously as I take myself.

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