60 Quotes by Nancy Werlin

You start thinking about a character in a new book, of course you're going to think pretty soon, 'Well, what's their secret? What is their problem?' Maybe, 'What is their secret?' is another way of saying, 'What is their problem?' There's got to be some issue, or you've got a totally boring book!

I do seem to have a lot of family secrets in my novels. I guess I'm one of those writers who is often writing about the same sort of themes, but taking different angles on them.

Going back to my own past as a reader, I was a big, big reader of romances, particularly as a teenager, the age that my books are aimed at.

'Extraordinary' is an original fairy tale, a contemporary story. But like a traditional fairy tale, it heads quickly into frightening, bloody territory. I am afraid for my book, as it goes out alone into the world, just as I was frightened for Phoebe as I wrote and rewrote her story.

I actually hope people don't react to 'Impossible' in a way where they think it's terribly retro. The plot needed to do what it needed to do. But I'm a little surprised to find myself looking a little bit like an advocate of teen marriage. It takes some exceptional circumstances for that to be a reasonable idea.

I used to want covers that represented the book's contents very closely and were also pretty. Many folks automatically believe that this is what makes a good cover. But I've changed my mind about this. While the cover should not lie (by implication or outright), its job is simply to say: 'Pick me up!' to someone who might like the book.

No matter how beautiful and loved a cover may be, the jury on it remains uncommitted until the book has been in the world for a while. Perhaps bookstore buyers will be indifferent. Perhaps it will be lost on store shelves. Perhaps there's another book or two out there using the same or a similar photo.

There was a mission: To match the cover of 'Extraordinary' to the cover of the paperback 'Impossible,' which was commercially successful. Consider the outdoor natural setting, the single girl in motion with her hair blowing, and the cursive font used for the title; both covers have these in common.

Leo and Soledad simultaneously gave out a sort of half laugh, half snort. It was loud, and it was relieved, and it broke the tension and caused Pierre to bark again, indignantly. All of which meant that neither of them heard it when Zach turned to Lucy in that same second and whispered: There's something else you need to know. I'm not just your friend. I am completely in love with you.