728 Quotes by Paul Auster

Writing is such a strange, utterly mysterious process. First, there was nothing; then, suddenly, there was something. I don't know where thoughts are born. Where the hell does it come from? I don't know. I really don't know.

Nothing lasts, you see, not even the thoughts inside you. And you musn't waste your time looking for them. Once a thing is gone, that is the end of it.

You see the film, you might be entertained, and if it's not a great film, it loses its power very quickly. I think even simply acceptable books stay with us a lot longer.

A here exists only in relation to a there, not the other way around. There's this only because there's that; if we don't look up, we'll never know what's down. Think of it, boy. We find ourselves only by looking what we're not. You can't put your feet on the ground until you've touched the sky.

In my studio, it is unkempt and unattractive. Once I'm in my work, I don't notice where I am.

The ideal reader's the same, and I suppose this person has never had a face or a gender or an age. It's just some kind of unknown other who will be sympathetic and read each word carefully and understand what I'm writing about. I suppose every writer feels this.

I don't judge these things by numbers. How many people read 'Paradise Lost' when it was published? Two hundred? Three? As long as there's one reader, the book is doing what a book does. Books are irreplaceable, because they're the only place in the universe where two strangers can meet on absolutely intimate terms. We need to tell stories as human beings. People are as hungry for that as they have ever been.

Guilt kept me going. It was impossible not to blame myself for what had happened, but even guilt was a comfort. It was a human feeling, a sign that I was still attached to the same world that other men lived in.

I find it impossible to start a project without the title in mind. I can sometimes spend years thinking of the title to go with the thing that's forming in my head. A title defines the project somehow and if you keep finding the ramifications of the title in the work it becomes better, I'm convinced of this.