48 Quotes by Suzy Menkes

  • Author Suzy Menkes
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    As a journalist, I cannot help imagining with excitement a new era with a face-off between Hedi Slimane at YSL and Raf Simons at Dior - a magnificent battle of style and wills to echo the Armani/Versace, Gucci/Prada or even Chanel/Schiaparelli face-offs of earlier years. But I remind myself that this is not a game of chess.

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  • Author Suzy Menkes
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    My clothes are fabulous - colourful, fun and by some very special designers. They deserve a better life than being sleeping beauties in a bed of tissue inside a trunk.

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  • Author Suzy Menkes
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    Fledgling designers need investment - but how much easier it is to put them in a dead man or woman's shoes, perhaps also backing the new designer's namesake line, but only as what the French call a 'danseuse,' a plaything.

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  • Author Suzy Menkes
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    I have a love for colorful things. I'm a fashion maximalist. I come from the school of people who look at the decoration in Marie Antoinette's bedroom, and think 'Why so reserved?'

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  • Author Suzy Menkes
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    I was trained as journalist never to use the word 'I,' never to put my own opinion there. In fact, if you had a dollar or a euro for every time I use the word 'I,' you would be a poor person. But this is not true in general. I like the idea of being able to stand away and make a judgement.

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  • Author Suzy Menkes
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    Smartphones are so fabulous in so many ways that it seems daft to be nostalgic about the days when an image did not go round the world in a nanosecond.

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  • Author Suzy Menkes
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    I always have separated myself from my critiques of collections. My judgment is not about whether I would wear it - but how the collection stands in the lexicon of an established designer. As I am a maximalist, not a minimalist, I don't wear Armani or Celine - but I so appreciate what they have achieved.

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  • Author Suzy Menkes
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    I think there's a sort of agony with all intelligent and very creative designers that it's only fashion, that in the end it's only the decorative arts. I had a feeling towards the end that Saint Laurent and Berge were very keen to attain that immortality that a lot of designers long for. You know, those endless exhibitions.

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