857 Quotes by Thomas Hardy

We learn that it is not the rays which bodies absorb, but those which they reject, that give them the colours they are known by; and in the same way people are specialized by their dislikes and antagonisms, whilst their goodwill is looked upon as no attribute at all.

The perfect woman, you see [is] a working-woman; not an idler; not a fine lady; but one who [uses] her hands and her head and her heart for the good of others.

He wished she knew his impressions, but he would as soon as thought of carrying an odour in a net as of attempting to convey the intangibles of his feeling in the coarse meshes of language. So he remained silent.

The trees have inquisitive eyes, haven't they? -that is, seem as if they had. And the river says,-'Why do ye trouble me with your looks?' And you seem to see numbers of to-morrows just all in a line, the first of them the biggest and clearest, the others getting smaller and smaller as they stand further away; but they all seem very fierce and cruel and as if they said, 'I'm coming! Beware of me! Beware of me!

Why it was that upon this beautiful feminine tissue, sensitive as gossamer, and practically blank as snow as yet, there should have been traced such a coarse pattern as it was doomed to receive; why so often the coarse appropriates the finer thus, the wrong man the woman, the wrong women the man, many years of analytical philosophy have failed to explain to our sense of order

...she moved about in a mental cloud of many-coloured idealities, which eclipsed all sinister contingencies by its brightness.

Her affection for him was now the breath and life of Tess's being; it enveloped her as a photosphere, irradiated her into forgetfulness of her past sorrows, keeping back the gloomy spectres that would persist in their attempts to touch her—doubt, fear, moodiness, care, shame. She knew that they were waiting like wolves just outside the circumscribing light, but she had long spells of power to keep them in hungry subjection there.

...the figure near at hand suffers on such occasions, because it shows up its sorriness without shade; while vague figures afar off are honored, in that their distance makes artistic virtues of their stains. In considering what Tess was not, he overlooked what she was, and forgot that the defective can be more than the entire.

The smile on your mouth was the deadest thing alive enough to have strength to die. (from "Neutral Tones")