649 Quotes by Tom Stoppard

I think that the present is worth attention, one shouldn’t sacrifice it to future conceptions of, of this future or that future.

So it is with us all, we’re not so one-or-the-other. The one who puts on the clothes in the morning is the working majority, but at night-perhaps in the moment before unconsciousness- we meet our sleeper- the priest is visited by the doubter, the Marxist sees the civilizing force of the bourgeoisie, the captain of the industry admits the justice of common ownership.

I’m offended by things and take pathetic little stands against them.

HANNAH: Don’t let Bernard get to you. It’s only performance art, you know. Rhetoric, they used to teach it in ancient times, like PT. It’s not about being right, they had philosophy for that. Rhetoric was their chat show. Bernard’s indignation is a sort of aerobics for when he gets on television.

In January 1962, when I was the author of one and a half unperformed plays, I attended a student production of ‘The Birthday Party’ at the Victoria Rooms in Bristol. Just before it began, I realised that Harold Pinter was sitting in front of me.

Can’t you function unless you’re losing?

James Joyce – an essentially private man who wished his total indifference to public notice to be universally recognized.

When people discuss his plays, he says that he feels like he’s standing at customs watching an official ransack his luggage. He cheerfully declares responsibility for a play about two people, and suddenly the officer is finding all manner of exotic contraband like the nature of God and identity, and while he can’t deny that they’re there, he can’t for the life of him remember putting them there. In the end, a play is not the product of an idea; an idea is the product of a play.

I’m so grateful to grab hold of something that wants to be a play. It doesn’t happen very often. I don’t have unwritten plays waiting for their turn.