18 Quotes by Tony Bradman

I studied Wilfred Owen for my English A Level, and that led me to Sassoon and Blunden, Rosenberg and Thomas.

My parents were of the generation that lived through the Second World War, but I grew up listening to my mother recounting her dad's tales about his terrible experiences during the Gallipoli campaign in 1915 and later on the Western Front.

I have to confess that I've never been a great fan of Christmas or, as it's known in our house, The Monster That Ate the Last Third of the Year. It's mostly the rampant consumerism I object to, but I'm also a little wary of the annual crop of new Christmas stories and sometimes wonder why anyone bothers.

Fantasy is a demanding genre.

Once the world has been created, the fantasy author still has to bring the story's characters to life and unfold a gripping plot. That's why good fantasy is such a hard act to bring off.

If your characters are two-dimensional and your plot uncompelling, it won't matter how incredibly detailed and believable your fantasy world might be.

These days it seems that every big, new, heavily promoted children's book is rather like the ghost of poor old Jacob Marley. Each one comes trailing a long, clanking chain of references - in the form of overexcited press releases and slightly hysterical jacket blurbs - to bestsellers of a supposedly similar nature.

There are several occupational hazards for book reviewers, chief among them being the Curse of the Jaded Palate - that sinking feeling when you start reading a new book and begin to suspect that you've seen it all before.

I don't usually like teen novels written in the present tense, particularly those told from a first-person viewpoint. Too many writers seem to believe that using either or both devices automatically imbues their stories with deep seriousness and a contemporary feel.