583 Quotes by Truman Capote

  • Author Truman Capote
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    I’ve tried to believe, but I don’t, I can’t, and there’s no use pretending.

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  • Author Truman Capote
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    Chrysanthemums,” my friend commented as we moved through our garden stalking flower-show blossoms with decapitating shears, “are like lions. Kingly characters. I always expect them to spring. To turn on me with a growl and a roar.

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  • Author Truman Capote
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    Giveya two-bits” cash for that ol tree.” Ordinarily my friend is afraid of saying no; but on this occasion she promptly shakes her head: “We wouldn’t take a dollar.” The mill owner’s wife persists. “A dollar, my foot! Fifty cents. That’s my last offer. Goodness, woman, you can get another one.” In answer, my friend gently reflects: “I doubt it. There’s never two of anything.

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  • Author Truman Capote
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    Strong character, high courage, hard work – it seemed that none of these were determining factors in the fates of Tex John’s children. They shared a doom against which virtue was no defense.

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  • Author Truman Capote
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    I love New York, even though it isn’t mine, the way something has to be, a tree or a street or a house, something, anyway, that belongs to me because I belong to it.

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  • Author Truman Capote
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    Of course people couldn’t help but think I must be a bit of a dyke myself. And of course I am. Everyone is: a bit. So what? That never discouraged a man yet, in fact it seems to goad them on.

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  • Author Truman Capote
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    A person ought to be able to marry men or women or – listen, if you came to me and said you wanted to hitch up with Man O’ War, I’d respect your feeling. No, I’m serious. Love should be allowed. I’m all for it.

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  • Author Truman Capote
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    And yes, to answer you seriously, I am beginning to be... well, not bored, but tempted; afraid, but tempted. When you’ve been in pain for a long time, when you wake up every morning with a rising sense of hysteria, then boredom is what you want, marathon sleeps, a silence in yourself.

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  • Author Truman Capote
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    Call it precious and go to hell, but I believe a story can be wrecked by a faulty rhythm in a sentence – especially if it occurs toward the end – or a mistake in paragraphing, even punctuation. Henry James is the maestro of the semicolon. Hemingway is a first-rate paragrapher. From the point of view of ear, Virginia Woolf never wrote a bad sentence. I don’t mean to imply that I successfully practice what I preach. I try, that’s all.

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