Where you go, I go, What you see, I see, I know I'd never be me without the security, Are your loving arms keeping me from harm Put your hands in my hand & we'll stand.

The way I write my songs is that I have to believe what I'm writing about, and that's why they always end up being so personal - because the kind of artists I like, they convince me, they totally win me over straight away in that thing. Like, 'Oh my God, this song is totally about me.'

Heartbreak can definitely give you a deeper sensibility for writing songs. I drew on a lot of heartbreak when I was writing my first album, I didn't mean to but I just did.

In the songs I can still be really really direct but in interviews when I'm explaining my songs I shouldn't be so direct about who they're about.

Sometimes my songs wander off a bit and are not always coherent.

If I were a writer and not a singer in 10 years, I don't know how I'd feel about writing really personal songs and getting someone else to sing them.

I'm like the opposite of one of those comedians who's funny on stage and depressed behind closed doors . On record, I can get pretty dark, but in real life I'm very carefree. But when I'm happy, I ain't writing songs, I'm out having a laugh, being in love. I wouldn't have the time. If I ever get married, it'll be 'Darling, I need a divorce, it's been three years, I've got a record to write!'

You had my heart inside of your hand but you played it to the beat

Where you go, I go,