I think modelling was like the university of life, really. You get to travel but you get thrown into this adult world, which is kind of quite scary.

I don't think a name defines the core of who you are.

When you're young, you say it how it is, and even your views are, like, 'This is totally the truth', 'cos you don't know any difference, so there's a real confidence in your way of thinking.

I suppose I have stopped modeling officially. I've not done any for a good long while now. I think it was four years ago when my feelings were changing towards the industry. I didn't hate it, but I was yearning to do something different. I was on a gradient. It was a gradual thing.

I'm not oblivious to that connotation of changing careers, so I'm just going in and doing the job. I think that you can't fake doing the job. All I want to do is deliver. That's my focus.

It is captivating, isn't it? England has such a great scene of electronic music, and I think that was very prominent in Pusher, and the nightlife was the beat of the film. I feel what is really great about Pusher is that it wasn't about drugs and guns and strippers. That was just all circumstantial. I felt like it was really about people and how decisions and circumstances can change relationships. Something just happens. Everything changes for a reason.