Just as one can compose colors, or forms, so one can compose motions.

To an engineer, good enough means perfect. With an artist, there's no such thing as perfect.

My fingers always seem busier than my mind.

My whole theory about art is the disparity that exists between form, masses and movement.

To most people who look at a mobile, it's no more than a series of flat objects that move. To a few, though, it may be poetry.