That's my gutsy advice to any young writer: write only about what you know well.

Don't write about that which you don't know.

Writing a poem is like having an affair, a one-night stand; a short story is a romance, a relationship; a novel is a marriage-one has to be cunning, devise compromises, and make sacrifices.

I don't write novels about expeditions to the planet Mars because I haven't been there and I don't know anything about it.

The reconciliation is not based on the fact that one of the characters opens his eyes and says, "O brother! O sister! How terrible I was! How right and wonderful you were! Please forgive me! Let's hug and love each other from now until the rest of eternity!" This is not the kind of reconciliation I write about; I write about sad, sober, sometimes heart-breaking compromises.

I write about reconciliation, but not as a miracle, as a slow, gradual process of mutual discovery - discovering one another.

I often write about reconciling. Reconciling, or maybe half-reconciling between antagonists, between people who are deadly enemies.

When I need to take a side, I write a newspaper article and I tell my government, "You should not do that, you should do this." They don't listen to me, but I've been doing this for sixty years now. But, when I write a novel, I am not in that business.

Each time I have the urge in me to make a statement or send a message or to issue a manifesto, I don't bother to write a novel. I write an article and publish it in a popular newspaper, or I make a television appearance.