Again the ranch is on the market and they’ve shipped out the last of the horses, paid everybody off the day before, the owner saying, ‘Give them to the real estate shark, I’m out a here,” dropping the keys in Ennis’s hand. He might have to stay with his married daughter until he picks up another job, yet he is suffused with a sense of pleasure because Jack Twist was in his dream.

Wyos are touchers, hot-blooded and quick, and physically yearning. Maybe it’s because they spend so much time handling livestock, but people here are always handshaking, patting, smoothing, caressing, enfolding. This instinct extends to anger, the lightning backhand slap, the hip-shot to throw you off balance, the elbow, a jerk and wrench, the swat, and then the serious stuff that’s meant to kill and sometimes does.

I wish I knew how to quit you.

He'd call him up that night. Tell him. What? That he could gut a cod while he talked about advertising space and printing costs? That he was wondering if love came in other colors than the basic black of none and the red heat of obsession?

... Ennis was back on his feet and somehow, as a coat hanger is straightened to open a locked car and then bent again to its original shape, they torqued things almost to where they had been, for what they'd said was no news. Nothing ended, nothing began, nothing resolved.

It's like you feel to yourself that's all you deserve. And the worse it gets the more it seems true, that you got it coming to you or it wouldn't be that way.

Hadn't she guessed there was a nick in the edge of that axe? The way Quoyle talked of his love, but never the woman?