Where would the memoir be without bipolar writers? I mean, that's what - that whole oversharing thing is really a very clear symptom of bipolar disorder. And I'm not saying that every, you know, I'm not accusing every memoirist of being bipolar. But I think in a way it's kind of a gift.

I love the novel of 'The English Patient'; I think it's a profoundly beautiful novel. I love the movie of 'The English Patient'; I think it's a profoundly beautiful movie. And they're totally different. You accept each on its own terms, and that's kind of the ideal.

Personally, I think four is the perfect number of children for our particular family. Four is enough to create the frenzied cacophony that my husband and I find so joyful.

Most writers spend their lives standing a little apart from the crowd, watching and listening and hoping to catch that tiny hint of despair, that sliver of malice, that makes them think, 'Aha, here is the story.'

I mean, I do actually think there is a qualitative difference between aborting in the early part of the first trimester and in, you know, the middle or later part of the second trimester, in a way that you feel about it in that you grow attached.