I like to keep the meanings in my work flowing and open.

Dawn and sunset are the times when Nature herself is unstable and in flux. The nocturnal world and the daytime world are meeting, and for a brief time coexisting. It's not a neat hard cut, but a blurred, irregular dissolve. These moments are the seams in existence through which we can get a glimpse of the deeper, fundamentally random, chance workings of a system in which we are only a small, insignificant player.

Video artists being at the low end of the totem pole economically, one of the ways we survive is to go around showing work and giving these talks.

I came of age at the end of the 1960s, just when video was also coming into the world. Companies such as Sony and Panasonic were starting to market it and we artists immediately knew how it could be used.