6 Quotes by Bill Watterson about ideas
- Author Bill Watterson
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When a person pauses in mid-sentence to choose a word, that's the best time to jump in and change the subject! It's like an interception in football! You grab the others guy's idea and run the opposite way with it! The more sentences you complete, the higher your score! The idea is to block the other guy's thoughts and express your own! That's how you win!Conversations aren't contests!Ok, a point for you, but I'm still ahead.
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- Author Bill Watterson
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Some people are pragmatists, taking things as they come and making the best of the choices available. Some people are idealists, standing for principle and refusing to compromise. And some people just act on any whim that enters their heads. I wonder which one YOU are. I pragmatically turn my whims into principles!
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- Author Bill Watterson
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If you have the personalities down, you understand them and identify with them; you can stick them in any situation and have a pretty good idea of how they're going to respond. Then it's just a matter of sanding and polishing up the jokes. But if you've got more ambiguous characters or stock stereotypes, the plastic comes through and they don't work as well. These two characters clicked for me almost immediately and I feel very comfortable working with them.
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- Author Bill Watterson
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I tell you all this because it's worth recognizing that there is no such thing as an overnight success. You will do well to cultivate the resources in yourself that bring you happiness outside of success or failure. The truth is, most of us discover where we are headed when we arrive. At that time, we turn around and say, yes, this is obviously where I was going all along. It's a good idea to try to enjoy the scenery on the detours, because you'll probably take a few.
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- Author Bill Watterson
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The whole idea of hobknobbing and schmoozing and the concept of an "elite" class of celebrities better than the common people has always made my stomach turn.
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- Author Bill Watterson
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United Features had given me a development contract, which meant I was to work exclusively with them and rather than completing everything on my own and turning it in to them and having it rejected or accepted, I was working much more directly with the syndicate, turning in smaller batches much more frequently, and getting comments on them. The idea was that they would help me develop the strip and then, assuming that they liked it, it would flow into a normal contract for syndication.
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