The stiletto is a feminine weapon that men just don't have.

The thing I always try to remember is that feet are attached to the leg, and that you must prolong the silhouette. The shoe elongates the leg and does it discreetly. The goal is to get people to look at a woman's legs. It's all about the leg. No, it's not about the leg. It's about the woman.

When you sketch a shoe but don't have the intention to do a proper shoe, it remains a curvy sketch with no detail. The shoe completely morphs to the body.

I mean, the shoe - there is a music to it, there is attitude, there is sound, it's a movement.

A shoe has so much more to offer than just to walk.

A woman carries her clothes. But the shoe carries the woman.

The highest heels I do are six-inch heels - but mostly only dancers can wear them, since they are used to being on point in ballet shoes. Their feet are arched.

You have two categories of Shoes, Shoes which are dressing a woman or Shoes which are undressing a Woman

The most outrageous shoe that I had to do was a shoe where the person gave me stones - precious stones - and say that I could do anything with precious stones.